A Journey of Transformation: Mohiniyattam, a classical dance form deeply rooted in tradition, has witnessed significant transformations in recent years. These changes raise questions about the preservation of the art’s essence amidst continuous adaptations and their potential to drive profound aesthetic evolution. In this exploration, we will examine the perspectives on these transformations. Embracing Change: […]
In the world of Mohiniyattam, a classical dance form deeply rooted in tradition, winds of change have been subtly blowing in recent years. These winds bring innovation and growth, sparking questions about the preservation of the art’s identity and its journey toward aesthetic evolution. As a devoted practitioner of Mohiniyattam, I’ve witnessed and contributed to […]
Kalamandalam Sivan Nambutiri, a senior Koodiyattam performer, he holds the distinction of being the first disciple of Kamandalam Kalari for Koodiyattam and also the first individual from a non-Chakyar family to enter the field. He is an acclaimed guru and performer, recognized for his significant contributions in catalyzing changes in the realm of Koodiyattam. Excerpts […]
Aparna Nangiar, a prominent figure from the younger generation of Koodiyattam and Nangiarkoothu, and a member of a traditional family deeply rooted in these art forms. She continues to carry forward this rich heritage through her performances and research. She is associated with the ‘Chachu Chakyar Smaraka Koodiyatta Gurukulam’ in Irinjalakuda. Excerpts from the interview: […]
In the field of Kuchipudi dance, over the past few decades, there have been significant changes. What were these changes that came through innovations in performances during this period? Did these changes lead to the loss of the distinct identity of Kuchipudi in the subsequent circumstances or contribute to its growth in terms of aesthetics? […]
In recent years, Kuchipudi, a traditional Indian dance form, has seen several changes. How have these changes affected the essence of the art form? Whether they have led to a loss of its uniqueness in the evolving context of the performing arts, or if they have contributed to its aesthetic growth? Kuchipudi has undergone numerous […]
What are the changes that came through innovations the area of Krishnanattam? How do you think do these changes contribute to the loss of the unique identity of art in the present circumstances, or do they add to the beauty of evolution? Krishnanattam places paramount importance on devotion and performance. Manavedan, the creator of Krishnageethi […]
Palatt Parameswara Panicker, Senior Krishnanattam performer and Guru, retired Head of Krishnanattam Gurukulam Guruvayur. He was a part of the old Krishnanattam Kalari that belonged to Samoothiri Kovilakam and later the Guruvayur Kalari. He pioneered bringing aesthetic changes to Krishnanattam plays. What were the changes that occurred over the past few years in the world […]
What changes have occurred in Kathakali through innovations over the past few years, and how have these changes influenced the continued growth of this art form? Do these changes impact the art form or contribute to its aesthetic development? Changes have occurred differently over time and among different artists. For instance, renowned names like Kunju […]
Acclaimed Kathakali Performer from the senior generation and Guru. Well accepted by the connoisures and ‘Rasikas’ for his expensive Abhinaya and perfection in ‘Nritta’. What changes have occurred in Kathakali through innovations over the past few years, and how have these changes influenced the continued growth of this art form? Do these changes impact the […]
